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Land Arts 2016 Reader Supplement

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  1. Adams, John Luther. The Place Where You Go to Listen: in search of an Ecology of Music. Middletown, Connecticut: Wesleyan University Press, 2009, pp. 1-10.
  2. Aldiss, Brian. Earthworks. Garden City, NY: Doubleday, 1966, pp. 47-67.
  3. Allen, Stan. “Mapping the Unmapping” in Stan Allen Essays. Amsterdam: G+B Arts, 2000, 30-45.
  4. Ballard, J.G.. “The Voices of Time” in The Best Short Stories of J.G. Ballard. New York: Picador, 1978, 67-99.
  5. Benjamin, Walter. “Author as Producer” in New Left Review I/62. : , July-August 1970, .
  6. ________. “Unpacking my Library” in Illuminations. New York: Houghton Mifflin Harcourt, 1968, 59-67.
  7. Bochner, Mel. “Secret of Domes: Mel Bochner on The Domain of the Great Bear” in Artforum International. September 2006, pp. 340-345.
  8. Bowden, Charles. “Contested Ground” in Orion, Nov/Dec 2009, pp. 18-25.
  9. Brody, J.J.. “Chaco Canyon and the Interactions of Nature, Culture, Art and History” in Land Arts of the American West. Austin: University of Texas Press, 2009, pp. 163-173.
  10. Buszek, Maria Elena. “Labor is my Medium” in Archives of American Art Journal 50: 1-4. 2012, pp 67-75.
  11. Cage, John. “Introduction to an Unpresented Text” in VIA 5 : determinants of form. Cambridge, MA: University of Pennsylvania and MIT Press, 1982, p. 44-51.
  12. Careri, Francisco. Walkscapes: walking as an aesthetic practice. Barcelona: Editorial Gustavo Gili, 2002, pp. 119-175.
  13. Coyne, Kelly and Erik Knutzen. The Urban Homestead. Port Townsend, WA: Process Media, 2010, pp. 14-17.
  14. Danto, Aurthur. After the End of Art: contemporary art and the pale of history. Princeton: Princeton University Press, 1997, pp. 2-39.
  15. Davis, Raymond & Francis Foote. Surveying: theory and practice. New York: McGraw Hill, 1940, pp. 414-438.
  16. Dees, Janet & Irene Hoffman. “The Unsettled Biennial Landscape” in Unsettled Landscapes. Santa Fe: SITE Santa Fe, 2014, pp. 27-32.
  17. Denk, Jeremy. “Earth Music: The Great Animal Orchestra, by Bernie Krause” in New York Times. April 12, 2012, p. BR1.
  18. Dyer, Geoff. “Poles Apart: notes from a pilgrimage” in New Yorker. April 18, 2011, pp. 62-70.
  19. Fer, Briony. “A Natural History of Chance” in Tacita Dean: Film Works. New York: Charta, 2007, pp. 6-43.
  20. Flückiger, Urs Peter. Donald Judd Architecture in Marfa, Texas. Basel: Birkhäuser Verlag AG, 2007, pp. 25-49.
  21. Fox, William L.. “The Myth of the Empty” in Playa Works: The Myth of the Empty. Reno: University of Nevada Press, 2002, pp. 2-19.
  22. Fuller, Buckminster. “Speculative Prehistory of Humanity” in Critical Path. New York: St. Martins Press, 1981, pp. 3-24.
  23. Ginsberg, Allen with Barry Miles (ed.). Howl. New York: Harper & Row, 1986, pp. 3-8.
  24. Greene, Erick. “Why Keep a Field Notebook?” in Field Notes on Science and Nature. Cambridge: Harvard University Press, 2011, pp. 251-274.
  25. Hodge, Roger. “Blood and Time: Cormac McCarthy and the Twilight of the West” in Harper’s, Feb 2006, pp. 65-72.
  26. Holzer, Jenny. “Truisms 1977-1979” in Artist’s Writings. pp. 116-125.
  27. Jonas, Joan, Lynne Cooke with Karen Kelly (ed.). Joan Jonas: The shape, the scent, the feel of things.. New York: Dia Art Foundation, 2006, pp. 7, 46-51, 61-66.
  28. Judd, Donald. “Specific Objects” in Arts Yearbook 8, 1965, .
  29. Kaiser, Philipp and Miwon Kwon. “Ends of the Earth and Back” in Ends of the Earth: Land Art to 1974. Los Angles and Munich: Museum of Contemporary Art, Los Angles and Prestel Verlag, 2012, pp. 16-31.
  30. Keller, Jenny. “Why Sketch” in Field Notes on Science and Nature. Cambridge: Harvard University Press, 2011, pp. 61-185.
  31. Koolhaas, Rem. Delirious New York: a retroactive manifesto for Manhattan. New York: Monacelli Press, 1994, pp. 9-11.
  32. Krause, Bernie. Earth Music: The Great Animal Orchestra. New York: Little Brown and Company, 2012, pp. 1-10, 36-53.
  33. Krauss, Rosalind. “Sculpture in the Expanded Field” in October, Vol. 8, Spring 1979, pp. 30-44.
  34. Kubler, George. The Shape of Time: remarks on the history of things. New Haven and London: Yale University Press, 1962, pp. 1-12, 83-122.
  35. Kuletz, Valeria L.. The Tainted Desert: environmental and social ruin in the American West. New York: Routledge, 1998, pp. 3-37.
  36. Leider, Philip. “How I Spent My summer Vacation” in Artforum International, September 1970.
  37. Lippard, Lucy. Down Country: The Tano of the Galisteo Basin 1250-1782. Santa Fe: Museum of New Mexico Press, 2010, pp. 11-17, 21-29, 281-286.
  38. Lopez, Barry. The rediscovery of North America. Lexington, Kentucky: University Press of Kentucky, 1990, pp. 3-58.
  39. Manaugh, Geoff. Landscape Futures: instruments, devices and architectural interventions. Barcelona: Actar, 2013, pp. 15-53.
  40. Maniaque, Caroline. “Search for Energy” in Ant Farm. Berkeley: University of California Press, 2004, 14-21.
  41. Mann, Charles C. “1491” The Atlantic Monthly, March 2002, pp. 41-53.
  42. Marcus, Greil. Shape of Things to Come. New York: Picador, , pp. 213-255.
  43. Martînez, Chus. “How a Tadpole Becomes a Frog: belated aesthetics, politics, and animated matter: toward a theory of artistic research in Book of Books: dOCUMENTA (13). Ostfildern, Germany: Hatje Cantz, 2012, pp. 46-57.
  44. Masco, Joseph. “Desert Modernism: from the Nevada test site to Liberace’s sequined suits” in Cabinet, Issue 13, Futures, 2004, pp. 66-74.
  45. McCarthy, Cormac. “Scenes of the Crime” in The New Yorker, June 10, 2013, .
  46. Museum of Jurassic Technology. The Museum of Jurassic Technology: a primi decem anni jubilee catalogue. West Covina, CA: Society for the Diffusion of Useful Information Press, 2002, pp. 13-17.
  47. Paglen, Trevor. “Experimental Geography: from cultural production to the production of space” in Experimental Geography. New York: Melville House, 2008, pp. 26-33.
  48. ________. “Frontier Photography: the other night sky” in Artforum International, March 2009, pp. 224-229.
  49. Public Laboratory for Open Technology and Science. “Grassroots Mapping: creating a participatory map-making process centered on discourse.” in The Journal of Aesthetics and Protest 8: Grassroots Modernism. Los Angeles: Journal of Aesthetics and Protest, Winter 2011/2012, pp. 217-228.
  50. Pye, David. “The workmanship of risk and the workmanship of certainty” in The nature and art of workmanship. Cambridge: University Press, 1968, pp. 4-8.
  51. Reisner, Marc. Cadillac Desert: The American West and Its Disappearing Water. New York: Viking Press , 1986, pp. 1-13.
  52. Reynolds, Ann. “Culture as a Way of Seeing” in Robert Smithson: learning from New Jersey and Elsewhere. Cambridge: MIT Press, 2003, pp. 1-10.
  53. ________. “~essay~” in Joan Jonas: They Come to Us without a Word. Cambridge, MA: MIT List Center, 2015.
  54. Rugoff, Ralph. “Circling the Center” in Overlook: Exploring the Internal Fringes of America with the Center for Land Use Interpretation. New York: Metropolis Books, 2006, pp. 35-41.
  55. Samuels, David. “Atomic John” in The New Yorker. December 15, 2008, .
  56. Schaffner, Ingrid. “~interview~” in Joan Jonas: They Come to Us without a Word. Cambridge, MA: MIT List Center, 2015.
  57. Scott, Emily Eliza and Kirsten Swenson. “Introduction: contemporary art and the politics of land use” in Critical Landscapes: art, space, politics. Oakland, California: University of California Press, 2015, pp. 1-15.
  58. Scott, A.O.. “Out on the Frontier, Bringing All That Baggage With Them” in New York Times. April 7, 2011, C-8.
  59. Shepheard, Paul. “Grounds for Dispersal” in Harvard Design Magazine. Winter/Spring 2002, pp. 48-51.
  60. SIMPARCH. Burn It Up.
  61. Smith, Valeria. Juan Downey: invisible architect. Cambridge, MA and Bronx, NY: MIT List Center and Bronx Museum, 2011, pp. 17-39.
  62. Smithson, Robert. “Tour of the Monuments of Passiac, New Jersey” in The Writings of Robert Smithson. New York: New York University Press, 1979, pp. 52-57.
  63. Stewart, Susan. “Wunderkammer” in Deep Storage: collecting, storing and archiving in art, Ingrid Schaffner and Matthias Winzen (editors). Munich and New York: Prestel, 1998, pp. 291-295.
  64. Taussig, Michael. “Fieldwork Notebooks” in 100 Notes - 100 Thoughts / dOCUMENTA (13). Ostfildern, Germany: Hatje Cantz, 2012, pp. 4-12.
  65. Turnbull, David. “Exhibit 4: Brining the World Back” in Maps are Territories: science is an atlas. Chicago: University of Chicago Press, 1993, pp. 18-27.
  66. Ulmer, Gregory. “The Eureteics of Alice’s Valise” in Journal of Architectural Education Vol 45, No. 1. Washington DC: Association of Collegiate Schools of Architecture, 1991, pp. 3-10.
  67. Wagstaff, Sam. “Talking with Tony Smith” in Minimal Art: A Critical Anthology. Berkeley: University of California Press, 1995, pp. 381-386.
  68. Wilson, Edward O.. Field Notes on Science and Nature. Cambridge: Harvard University Press, 2011, pp. ix-xii.
  69. Zalasiewicz, Jan, et al. “Are we now living in the Anthropocene?” in GSA Today. 18, no. 2, 2008, pp. 4-8.
  70. Zinn, Howard. A People’s History of the United States: 1492 - Present. New York: Perennial, 2001, pp. 125-169.


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