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Land Arts 2017 Reader Supplement

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  1. Adams, John Luther. The Place Where You Go to Listen: in search of an Ecology of Music. Middletown, Connecticut: Wesleyan University Press, 2009, pp. 1-10.
  2. Aldiss, Brian. Earthworks. Garden City, NY: Doubleday, 1966, pp. 47-67.
  3. Allen, Stan. “Mapping the Unmapping” in Stan Allen Essays. Amsterdam: G+B Arts, 2000, 30-45.
  4. Allen, Terry. Juarez. Paradise of Bachelors, 2016. CD and vinyl recording.
  5. Alonso, Pedro. Deserta: ecologia e industria en el Desierto de Atacama. Santiago, Chile: ARQ, 2012, pp. 15-37.
  6. Ballard, J.G. “Terminal Beach” in The Best Short Stories of J.G. Ballard. New York: Picador, 1978, 244-264.
  7. ________. Crash. New York: Farrar, Straus & Giroux, 1973, 1-6.
  8. Benjamin, Walter. “Author as Producer” in New Left Review I/62. : , July-August 1970, .
  9. ________. “Unpacking my Library” in Illuminations. New York: Houghton Mifflin Harcourt, 1968, 59-67.
  10. Bochner, Mel. “Secret of Domes: Mel Bochner on The Domain of the Great Bear” in Artforum International. September 2006, pp. 340-345.
  11. Bollen, Christopher. “Landart” in Interview, 11 August 2015. 
http://www.interviewmagazine.com/art/virginia-dwan
  12. Bowden, Charles. “Contested Ground” in Orion, Nov/Dec 2009, pp. 18-25.
  13. ________. “The Log of the Voyage to Cabinetlandia” unpublished, 2012.
  14. Brody, J.J.. “Chaco Canyon and the Interactions of Nature, Culture, Art and History” in Land Arts of the American West. Austin: University of Texas Press, 2009, pp. 163-173.
  15. Buszek, Maria Elena. “Labor is my Medium” in Archives of American Art Journal 50: 1-4. 2012, pp 67-75.
  16. Cage, John. “Introduction to an Unpresented Text” in VIA 5 : determinants of form. Cambridge, MA: University of Pennsylvania and MIT Press, 1982, p. 44-51.
  17. Careri, Francisco. Walkscapes: walking as an aesthetic practice. Barcelona: Editorial Gustavo Gili, 2002, pp. 119-175.
  18. Cosgrove, Denis. “Carto-City” in Abrams, Janet & Peter Hall. Else/Where: Mapping: new cartographies of networks and territories. Minneapolis: University of Minnesota Design Institute, 2006, pp. 148-165.
  19. Coyne, Kelly and Erik Knutzen. The Urban Homestead. Port Townsend, WA: Process Media, 2010, pp. 14-17.
  20. Danto, Aurthur. After the End of Art: contemporary art and the pale of history. Princeton: Princeton University Press, 1997, pp. 2-39.
  21. Davis, Raymond & Francis Foote. Surveying: theory and practice. New York: McGraw Hill, 1940, pp. 414-438.
  22. Denk, Jeremy. “Earth Music: The Great Animal Orchestra, by Bernie Krause” in New York Times. April 12, 2012, p. BR1.
  23. Dyer, Geoff. “Poles Apart” in The New Yorker. April 18, 2011, pp. 63-70.
  24. Environmental Protection Agency. Jackpile-Paguate Uranium Mine Superfund Site EPA Publication, September 17, 2015.
  25. Fer, Briony. “A Natural History of Chance” in Tacita Dean: Film Works. New York: Charta, 2007, pp. 6-43.
  26. Flückiger, Urs Peter. Donald Judd Architecture in Marfa, Texas. Basel: Birkhäuser Verlag AG, 2007, pp. 25-49.
  27. Fox, William L.. “The Myth of the Empty” in Playa Works: The Myth of the Empty. Reno: University of Nevada Press, 2002, pp. 2-19.
  28. Fuller, Buckminster. “Speculative Prehistory of Humanity” in Critical Path. New York: St. Martins Press, 1981, pp. 3-24.
  29. Ginsberg, Allen with Barry Miles (ed.). Howl. New York: Harper & Row, 1986, pp. 3-8.
  30. Greaves, Brendan. “Them Ol; Love Songs Just Keep Commin’ On & On & On: looking back at Lubbock (on Everything)” included with Terry Allen. Lubbock (on everything). Paradise of Bachelors, 2016. CD and vinyl recording.
  31. ________. “Today’s Rainbow is Tomorrow’s Tamale: El Corrido de Juarez” included with Terry Allen. Juarez. Paradise of Bachelors, 2016. CD and vinyl recording.
  32. Greene, Erick. “Why Keep a Field Notebook?” in Field Notes on Science and Nature. Cambridge: Harvard University Press, 2011, pp. 251-274.
  33. Haraway, Donna. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective” in Feminist Studies, Vol. 14, No. 3. (Autumn, 1988), pp. 575-599.
  34. Hernández León, Juan Miguel. Ser-Paisaje. Madrid, Spain: Amada Editories, 2016.
  35. Hickey, Dave. “Born in a Trailer: borne forth upon the perfect ship” included with Terry Allen. Juarez. Paradise of Bachelors, 2016. CD and vinyl recording.
  36. Hodge, Roger. “Blood and Time: Cormac McCarthy and the Twilight of the West” in Harper’s, Feb 2006, pp. 65-72.
  37. Hoffman, Dan. Architecture studio: Cranbrook Academy of Art, 1986-1993. New York: Rizzoli, 1994.
  38. Hofmann, Irene, Janet Dees, Candice Hopkins & Lucia Sanroman. Unsettled Landscapes. Santa Fe: SITE Santa Fe, 2015, pp. 27-32.
  39. Hofmann, Irene, Candice Hopkins, Brandee Caoba, & Joanne Lefrak (eds). much wider than a line. Santa Fe: SITE Santa Fe, 2016, 10-15, 35-48.
  40. Holzer, Jenny. “Truisms 1977-1979” in Artist’s Writings. pp. 116-125.
  41. Jonas, Joan, Lynne Cooke with Karen Kelly (ed.). Joan Jonas: The shape, the scent, the feel of things. New York: Dia Art Foundation, 2006, pp. 7, 46-51, 61-66.
  42. Jonas, Joan, Paul Ha, Ute Meta Bauer, Ann Morris Reynolds and Ingrid Schaffner. Joan Jonas: they come to us without a word. Cambridge, MA: List Visual Arts Center, 2015, 16-19.
  43. Judd, Donald. “Specific Objects” in Arts Yearbook 8, 1965, .
  44. Kaiser, Philipp and Miwon Kwon. “Ends of the Earth and Back” in Ends of the Earth: Land Art to 1974. Los Angles and Munich: Museum of Contemporary Art, Los Angles and Prestel Verlag, 2012, pp. 16-31.
  45. Keller, Jenny. “Why Sketch” in Field Notes on Science and Nature. Cambridge: Harvard University Press, 2011, pp. 61-185.
  46. Kelley, Bill Jr. “Reimagining Ceremonies: a conversation with Postcommodity” in After all: a journal of art, context, and enquiry, Issue 39 (Summer 2015), pp. 26-35.
  47. Klingan, Katrin, Ashkan Sepahvand, Christoph Rosol & Bernd M. Scherer. Textures of the Anthropocene: grain, vapor, ray. Cambridge: MIT Press, 2015, pp. 3-42.
  48. Koolhaas, Rem. Delirious New York: a retroactive manifesto for Manhattan. New York: Monacelli Press, 1994, pp. 9-11.
  49. Krause, Bernie. Earth Music: The Great Animal Orchestra. New York: Little Brown and Company, 2012, pp. 1-10, 36-53.
  50. Krauss, Rosalind. “Sculpture in the Expanded Field” in October, Vol. 8, Spring 1979, pp. 30-44.
  51. Leider, Philip. “How I Spent My summer Vacation” in Artforum International, September 1970.
  52. Leonard, Zoe. “A Continuous Sign: an essay of excerpts and quotations” in Leonard, Zoe & Ann Bremner. Analogue. Columbus, OH: Wexner Center for the Arts, 2007.
  53. Lippard, Lucy. Down Country: The Tano of the Galisteo Basin 1250-1782. Santa Fe: Museum of New Mexico Press, 2010, pp. 11-17, 21-29, 281-286.
  54. Lippard, Lucy. “Peripheral Vision” in Land Arts of the American West. Austin: University of Texas Press, 2009, pp. 337-345.
  55. Lopez, Barry. “The Invitation” in Granta 133 (2015), pp. 13-18.
  56. Lopez, Barry. The rediscovery of North America. Lexington, Kentucky: University Press of Kentucky, 1990, pp. 3-58.
  57. MacDonald, Scott. “Re-envisioning the American West: Babette Mangle’s The Sky on Location, James Benning’s North on Evers, Oliver Stone’s Natural Born Killers, and Ellen Spiro’s Roam Sweet Home.” American Studies, Vol. 39. No. 1: Spring 1998, pp. 115-146.
  58. Manaugh, Geoff. Landscape Futures: instruments, devices and architectural interventions. Barcelona: Actar, 2013, pp. 15-53.
  59. Maniaque, Caroline. “Search for Energy” in Ant Farm. Berkeley: University of California Press, 2004, 14-21.
  60. Mann, Charles C. “1491” The Atlantic Monthly, March 2002, pp. 41-53.
  61. Marcus, Greil. Shape of Things to Come. New York: Picador, , pp. 213-255.
  62. Martînez, Chus. “How a Tadpole Becomes a Frog: belated aesthetics, politics, and animated matter: toward a theory of artistic research in Book of Books: dOCUMENTA (13). Ostfildern, Germany: Hatje Cantz, 2012, pp. 46-57.
  63. Masco, Joseph. “Desert Modernism: from the Nevada test site to Liberace’s sequined suits” in Cabinet, Issue 13, Futures, 2004, pp. 66-74.
  64. McCarthy, Cormac. “Scenes of the Crime” in The New Yorker, June 10, 2013, .
  65. Museum of Jurassic Technology. The Museum of Jurassic Technology: a primi decem anni jubilee catalogue. West Covina, CA: Society for the Diffusion of Useful Information Press, 2002, pp. 13-17.
  66. Osborn, Henry Fairfield. “A Dinosaur Mummy.” American Museum of Natural History. 1912, pp. 6-11.
  67. Paglen, Trevor. “Experimental Geography: from cultural production to the production of space” in Experimental Geography. New York: Melville House, 2008, pp. 26-33.
  68. ________. “Frontier Photography: the other night sky” in Artforum International, March 2009, pp. 224-229.
  69. Perez de Arce, Rodrigo & Fernando Perez Oyarzun, Raul Rispa. Valparaiso School / Open City Group. Montreal: McGill-Queen's University Press, 2003, pp. 8-17.
  70. Ponte, Allesandra. “Eyes Wide Shut: picturing outer space”. Forty-Five: A Journal of Outside Research. 2015. http://forty-five.com/papers/48
  71. Public Laboratory for Open Technology and Science. “Grassroots Mapping: creating a participatory map-making process centered on discourse.” in The Journal of Aesthetics and Protest 8: Grassroots Modernism. Los Angeles: Journal of Aesthetics and Protest, Winter 2011/2012, pp. 217-228.
  72. Pye, David. “The workmanship of risk and the workmanship of certainty” in The nature and art of workmanship. Cambridge: University Press, 1968, pp. 4-8.
  73. Reisner, Marc. Cadillac Desert: The American West and Its Disappearing Water. New York: Viking Press , 1986, pp. 1-13.
  74. Reynolds, Ann. “Culture as a Way of Seeing” in Robert Smithson: learning from New Jersey and Elsewhere. Cambridge: MIT Press, 2003, pp. 1-10.
  75. ________. “How the Box Contains Us” in Joan Jonas: They Come to Us without a Word. Cambridge, MA: MIT List Center, 2015, pp. 20-29.
  76. Rugoff, Ralph. “Circling the Center” in Overlook: Exploring the Internal Fringes of America with the Center for Land Use Interpretation. New York: Metropolis Books, 2006, pp. 35-41.
  77. Samuels, David. “Atomic John” in The New Yorker. December 15, 2008, .
  78. Schaffner, Ingrid. “Conversation with Joan Jonas” in Joan Jonas: They Come to Us without a Word. Cambridge, MA: MIT List Center, 2015, pp 114-131.
  79. ________. “Wall Text, 2003/6” in Paula Marincola (ed.). What Makes a Great Exhibition. Philadelphia, PA: Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage; Chicago, IL: Distributed for Reaktion Books in the USA and Canada by the University of Chicago Press, 2006. pp. 154-167.
  80. Scott, Emily Eliza and Kirsten Swenson. “Introduction: contemporary art and the politics of land use” in Critical Landscapes: art, space, politics. Oakland, California: University of California Press, 2015, pp. 1-15.
  81. Scott, A.O.. “Out on the Frontier, Bringing All That Baggage With Them” in New York Times. April 7, 2011, C-8.
  82. Scott, Emily Eliza & Kirsten Swenson. Critical Landscapes: art, space, politics. Oakland, California: University of California Press, 2015, pp. 1-15.
  83. Sellers, Simon. “Extreme Possibilities”: Mapping “the sea of time and space” in J.G. Ballard’s Pacific fictions. in Colloquy No. 17, August 2009, pp. 44-61.
  84. Shepheard, Paul. “Grounds for Dispersal” in Harvard Design Magazine. Winter/Spring 2002, pp. 48-51.
  85. SIMPARCH. Burn It Up.
  86. Smith, Valeria. Juan Downey: invisible architect. Cambridge, MA and Bronx, NY: MIT List Center and Bronx Museum, 2011, pp. 17-39.
  87. Smithson, Robert. “Tour of the Monuments of Passiac, New Jersey” in The Writings of Robert Smithson. New York: New York University Press, 1979, pp. 52-57.
  88. Solnit, Rebecca. “Scapeland” in Anne Wilkes Tucker (ed.). Crimes and Splendors: the Desert Cantos of Richard Misrach. New York: Bulfinch Press, 1996, pp. 37-58.
  89. Stewart, Susan. “Wunderkammer” in Deep Storage: collecting, storing and archiving in art, Ingrid Schaffner and Matthias Winzen (editors). Munich and New York: Prestel, 1998, pp. 291-295.
  90. Stilgoe, John. Outside Lies Magic: regaining history and awareness in everyday places. New York: Walker, 1998, pp. 71-88.
  91. Taylor, Chris. “Troubling Troublemakers.” Art Journal, v75 n2, 2016, pp. 88-91.
  92. Taussig, Michael. “Fieldwork Notebooks” in 100 Notes - 100 Thoughts / dOCUMENTA (13). Ostfildern, Germany: Hatje Cantz, 2012, pp. 4-12.
  93. Turnbull, David. “Exhibit 4: Brining the World Back” in Maps are Territories: science is an atlas. Chicago: University of Chicago Press, 1993, pp. 18-27.
  94. Ulmer, Gregory. “The Eureteics of Alice’s Valise” in Journal of Architectural Education Vol 45, No. 1. Washington DC: Association of Collegiate Schools of Architecture, 1991, pp. 3-10.
  95. Wagstaff, Sam. “Talking with Tony Smith” in Minimal Art: A Critical Anthology. Berkeley: University of California Press, 1995, pp. 381-386.
  96. Wilson, Edward O.. Field Notes on Science and Nature. Cambridge: Harvard University Press, 2011, pp. ix-xii.
  97. Witmore, Christopher. “Hypanthropos. On apprehending and approaching that which is in excess of monstrosity, with special consideration given to the photography of Edward Burtynsky.” The Journal of Contemporary Archaeology (Matthew Reilly ed.) forthcoming.
  98. Zalasiewicz, Jan, et al. “Are we now living in the Anthropocene?” in GSA Today. 18, no. 2, 2008, pp. 4-8.
  99. Zinn, Howard. A People’s History of the United States: 1492 - Present. New York: Perennial, 2001, pp. 125-169.

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